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This Analog Life

Paper products & silver emulsions & things that work with gears. Long-form writing about art, reading, & living in Bilbao here.

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  • Subterraneous, Charles Grogg (2010)
____________________________
“Charles Grogg’s  photographs are hauntingly beautiful.   And they are  strange.  But they  are strange in a way that most “strange” photographs  are not.  There is no violence, no brutality, no shock,  except the  shock of authentic art, that shock that forces a viewer back again  and  again to look at them and keeps them as fresh on the one hundredth  viewing  as they were on the first.  But they are,  indeed, strange,  strange in a way the work of absolutely no other photographer  I have  seen is strange.  Strings and wire  are often an integral part of a  Grogg photograph, and though that is  interesting and connected to their  strangeness, it is not at the core of it.  The strangeness lies in  their tetherings.”

— James Wood

(via wood s lot)

    Subterraneous, Charles Grogg (2010)

    ____________________________

    “Charles Grogg’s photographs are hauntingly beautiful.  And they are strange.  But they are strange in a way that most “strange” photographs are not.  There is no violence, no brutality, no shock, except the shock of authentic art, that shock that forces a viewer back again and again to look at them and keeps them as fresh on the one hundredth viewing as they were on the first.  But they are, indeed, strange, strange in a way the work of absolutely no other photographer I have seen is strange.  Strings and wire are often an integral part of a Grogg photograph, and though that is interesting and connected to their strangeness, it is not at the core of it.  The strangeness lies in their tetherings.”

    — James Wood

    (via wood s lot)

    Posted on November 18, 2010 with 5 notes

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